Ancestral board

Photography Carl Warner

Photography Carl Warner

Photography Carl Warner

Photography Carl Warner

Photography Carl Warner

Photography Carl Warner

Registration number
7662
Item name
Ancestral board 
Category
Sculpture/Carving
 
Indigenous name
Gope 
Maker
Unrecorded  
Associated cultural group
 
Place
Pacific > Papua New Guinea > Gulf Province
Map
Collector
Sir Samuel Griffith 
Acquisition date
January 01, 1958 
Acquisition method
Donated by T. Brown 
Raw material
wood, ochre, charcoal, lime, plant fibre
Dimensions
H: 720 mm W: 310 mm L: D: Circum:

Description

Research notes

Hohaos, or ancestral boards, are made by the Elema people of the Papuan Gulf area. They were traditionally carved in wood and were kept in the Eravos or mens' houses, many never being taken outside. Hohaos represent mythical heroes and are named after them. The power of the board was invoked in times of war, when the mythical hero embodied in the Hohao was believed to walk in front of the warriors and lead them into battle. It could also be used to invoke hunting magic. Hohaos are oval in shape, four to five feet high, and carved from wood or sometimes from a piece of broken canoe. The resulting concavity of the surface is considered an integral part of its form. They are carved in flat relief and the principal image is a highly stylized face with prominent eyes, a gaping mouth baring its teeth, a nose, which usually projects from the board, and a navel. This simple formula exists in innumerable variations and is elaborated on with decorative patterns that are the aualari designs, i.e. symbols of the clan. On practically every board the navel is prominent, mostly represented by concentric circles and sometimes a star shape. This represents the place of origin of the clan. Each aualari group (linear division) considers it extremely important to keep spiritual contact with its place of origin. Although many were very old, hohaos were never intentionally destroyed, and could be replaced if irreparably damaged by insects. However, most were destroyed when the Eravos were burned around the time of World War Two. Very few have survived from that period. More recently though the craft has been revived, but these are made mostly for the tourist market.

From the UQ Anthropology Museum exhibition 'In the Red; on the vibrancy of things' June 2012 - January 2013.

Go to top